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Grateful Dead Live at Veterans' Memorial Coliseum on 1983-04-23




Set 1

Alabama Getaway-> Greatest Story Ever Told, Finiculi Finicula, Candyman, Minglewood Blues, Tennessee Jed, Lazy Lightning-> Supplication, Peggy-O, Far From Me, The Music Never Stopped

Set 2

Scarlet Begonias-> Fire On The Mountain, Lost Sailor-> Saint Of Circumstance-> Drums-> The Other One-> Wharf Rat-> Throwing Stones-> Not Fade Away, E:One More Saturday Night-> E: Brokedown Palace


Collection GratefulDead
Band/Artist Grateful Dead
Date April 23, 1983
Venue Veterans' Memorial Coliseum
Location New Haven, CT

Source Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes;
Lineage Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taped by Da Weez
Transferred by D5scott


Notes

---------------------------------
R.I.P. Sandy - aka "Bigfoot"
---------------------------------

Reviews

Reviewer: s_lucas - - March 7, 2012
Subject: Best aud source
I've listened to a few of these sources...sirmick, muletaper, and I appreciate all the efforts of the tapers over the years and what they have given us. Having said that, this source is the one that works best for me. Very full sounding and EQed well. Excellent show as well.
Reviewer: MayAllSentientBeings - - December 23, 2011
Subject: Awesome.
Love this; brilliant show, sterling recording. Thanks to all who've contributed to making it happen; the show, the recording, the opportunity to hear it at any time on the internet ... marvelous. Thanks.
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Source: Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
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Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes
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Source: AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section.
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Source: Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin
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Source: Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
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Source: Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo